My mom wanted to do a painting wi5 me to learn how to do pine branches. The painting below is from that afternoon spent painting with my mom. It’s an 11x14 wrapped canvas. The first picture is the finished product. The second picture is the chickadee underpainting in black and white gesso.
I started painting in 2015 when my wife and I attended a Wilson Bickford painting class for our 8th anniversary. Since that first class, I've gathered a few supplies at home, watched you-tube videos, and started experimenting with landscape scenes. I'm still exploring my creative side; with equal amounts of enjoyment and frustration. This blog is to share and archive some of my paintings. I hope you enjoy them.
Saturday, December 23, 2017
Winter moon oil painting
I wanted to paint a night time winter scene; really working the deep blue hues. Rather than use a white canvas, I painted the entire canvas in black gesso (other than a moon masked with tape). One of the canvases was old and had some stray marks and imperfections. It wouldn’t have been a good foundation for a typical painting, but covering it all in the gesso made it a great starting point. Below are the two examples I did this week. One is 11x14 in lascape orientation while the other is a 9x12 in portrait orientation.
Saturday, December 16, 2017
Cardinal on Pine Branch
I had a request for a painting that would be a Christmas present. The request was for a lone cardinal with the following sentiment:
Not sure where the phrase came from, but the request was due to a recent death of a young person very close to this individual. So I wanted to do my best within my amateur-skills. Lettering is tedious with oil paints (at least for me it is) because the paint needs to be thinned just the right amount. So I knew adding words to my canvas was going to be a challenge. It certainly would not look like stenciling or die/laser cut. I wanted a close up of the cardinal sitting on a pine bough. I added some pine cones for extra embellishments. The lettering was held off and done at the very end. It was a bit nerve wracking since a bad slip could mess things up on an otherwise good painting. It’s definitely not perfect, but I’m satisfied how the lettering looks. Ultimately, I like the results and hope it’s what the recipient wanted.
- “When a cardinal appears in your yard, it’s a visitor from heaven.”
Not sure where the phrase came from, but the request was due to a recent death of a young person very close to this individual. So I wanted to do my best within my amateur-skills. Lettering is tedious with oil paints (at least for me it is) because the paint needs to be thinned just the right amount. So I knew adding words to my canvas was going to be a challenge. It certainly would not look like stenciling or die/laser cut. I wanted a close up of the cardinal sitting on a pine bough. I added some pine cones for extra embellishments. The lettering was held off and done at the very end. It was a bit nerve wracking since a bad slip could mess things up on an otherwise good painting. It’s definitely not perfect, but I’m satisfied how the lettering looks. Ultimately, I like the results and hope it’s what the recipient wanted.
Winter Fox
I got a little bit of painting time between my “taxi” duties tonight. This one is another variation of the winter scene I did a week ago. This time with a fox instead of the deer. The first pic is the fox in gesso for the underpainting (done yesterday). The second pic is the finished product.
Cast iron skillet
I found one of those novelty cookie cast iron pans at a garage sale this past summer. These are usually sold during the Christmas season with an ingredient kit to bake a single cookie. This one is a heart shape. I taped the edges to retain the black iron, and put in a base using white gesso. There isn’t much space; being all of a diminutive 5” pan plus handle. So I thought a sole Chickadee would be a nice oil painting for this tiny canvas.
Sunday, December 3, 2017
Vermont Covered Bridge
i painted a covered bridge a few months ago. It was a winter scene. I had a request from someone to paint another covered bridge. This time I went with a late summer - early autumn scene. The bridge was done in a monocramatic style with black and white gesso. Taped over the bridge and masked off the three foreground trees, and got started with the oils on the sky, distant tree line and then the ground over. I removed the tape from the bridge and highlighted the wood sections with varying tones of red/ivory black. The birch trees were done last, with the close-up leaves being brushed on with a filbert and round brush. The painting is an 11x14 stretched canvas. The painting wraps around the edges.
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